Experimental record of painting / 繪畫的實驗記錄


    

    

  




I love using the natural texture variations in paper or canvas as a starting point for contemplating painting and artistic creation.

Canvas or paper, serving as a flat medium, is where I integrate all the elements I imagine. I strive to infuse vitality into my two-dimensional creations, making them appear to have the life force flowing through them.

The animals and plants that accompany me in my daily life become the elements in my paintings. I arrange them in a way that breaks our preconceived notions, disrupting the established impressions we have of them. Simultaneously, this rearrangement also brings new meaning to their relationships. When the boundaries between species disappear and they come together, a visual life force emerges, breathing vitality into the two-dimensional plane of the painting.


我喜歡使用紙張或畫布上的自然紋理變化作為思考繪畫和藝術創作的起點這些材質所呈現的視覺感受非常豐富,引導我產生無限的想像。

畫布或紙張作為平面載體,在這個表面上,我融入了我想像的所有元素。我試著為我的平面創作注入活力,讓它們看起來有生命的力量在其中流淌。

日常生活中陪伴我的動物和植物成為我畫作中的元素。我以一種打破我們先入為主的觀念的方式來安排它們,破壞我們對它們的既定印象。同時,這種重新安排也為他們的關係帶來了新的意義。當物種之間的界限消失並聚集在一起時,一種視覺生命力就會出現,為繪畫的二維平面注入活力。