Oil painting/油彩創作
Untitled
,2020. Oil on canvas, 91 × 145 cm.
《無題》，202。油彩布本，91 x 145 公分。
Details-1
![]()
Details-2
Details-3
Ideas/概念
Looking at the imagery of Untitled, the first visual impression is one of density and layering, stemming from my observations and documentation of decaying matter.
On a microscopic level, decay exhibits an intricate interplay of layers and colors, symbolizing both death and renewal. At the same time, it resembles a macroscopic aerial perspective, where jungles, mountains, and fields merge into a composite image. This image embodies the overlapping nature of objects—one becomes many; many converge into one.
I juxtapose two works created at different periods, each representing a specific moment of observation while also marking shifts in my inner state. This approach expands the possibilities of the pictorial plane, allowing painting to transcend a purely visual mode and even extend into tactile and olfactory realms.
以〈無題〉圖像來看，密集、堆疊是視覺上的第一印象，它源自於我對腐敗物進行觀察的紀錄。
在微觀的紀錄中，腐物具有極其綿密的層次與色彩，能象徵死亡亦可代表新生。它又類似於在極高空鳥瞰下的宏觀角度，叢林、山脈與原野開始融合成複合圖像，這圖像包含著物與物交疊的特質，一是多；多也即為一。
我以兩件不同時期進行的作品互為對照，它們各自代表某個時間點的觀察過程；同時又能代表作者心性轉變的痕跡。這種創作方式為平面增添了許多可能性，它讓我感受到繪畫可以超越視覺所主導的模式，甚至有跨域至觸覺、嗅覺的可能。
Collector : Private collection
收藏 : 私人