_{Untitled-19, 2021. Oil on canvas, 162 × 130 cm.
《無題-19》，2021。油彩布本，162 x 130 公分。}

                   Ideas/概念

When we observe a landscape from a distance, we are captivated by the grandeur of the environment and the continuous cycle of life in all things. However, when observed from an extremely close distance, it can reveal the finer, more intricate aspects of everything.

The inspiration for this work arises from my close observation of nature, encompassing clusters of flowers, expanses of forests, and even the growth of fungi, evolving into intricate layers of “beings.” In my eyes, they coexist interdependently, forming a micro-organic universe where the concept of “one being all, and all being one” holds true. Consequently, decaying matters serve as the life source for other organisms, making the decomposition process a pivotal aspect of the recycling ecosystem.

Based on my observations, the symbolic meanings of colors are often more extensive than I initially thought. For instance, colors can symbolize the proliferation of species and danger. What's most fascinating is that they can also symbolize taste and touch. I once touched silky orange fungi, which felt as soft and delicate as cotton. When I squeezed it, the aroma it emitted was reminiscent of the scent of rust and earth, an experience that is deeply etched in my memory.

On my canvas, the meticulous brushwork and the densely layered structure not only function as a visual record of the micro-beings but also translate their olfactory and tactile qualities, allowing viewers to experience a multitude of sensations like smelling and touching those micro-beings through my artwork.

On my canvas, the intricate brushwork and dense layers serve as not only visual records of microorganisms but also an attempt to transform the sensory experiences of smell and touch into visual imagery. My goal is to use my artwork to allow the audience to experience deeper sensations.  

當我們從遠處觀察風景時，我們會被環境的宏偉和萬物的生命的不斷循環所吸引。然而，當從極近的距離觀察時，它可以揭示一切事物更精細、更複雜的面向。

這件作品的靈感源自於我對大自然的近距離觀察，包括一叢叢的花朵、大片的森林，甚至是真菌的生長，演變成層層錯綜複雜的「生命」。在我眼裡，它們相互依存，共存，形成一個微觀有機宇宙，「一為萬物，萬物為一」的理念成立。因此，腐爛的物質成為其他生物體的生命來源，使分解過程成為循環生態系統的關鍵面向。

根據我的觀察，顏色的象徵意義往往比我原想的還要多。例如，顏色可以象徵物種的繁殖以及危險。最令人著迷的是，它們還可以象徵品味和觸覺。我曾經觸摸過絲滑的橙色真菌，感覺像棉花一樣柔軟細膩。當我擠壓它時，它散發出的香氣接近鐵鏽和泥土的氣味，這種經歷深深銘刻在我的記憶中。

在我的畫布上，錯綜複雜的筆觸和密集的層次不僅是微生物的視覺記錄，也是將「嗅覺和觸覺的感官體驗」轉化為視覺圖像的嘗試。我的目的是透過我的藝術作品讓觀眾體驗到更深層的感受。